Remembering Zenith Square
1978-1985
“Zenith” What does the word Zenith bring to mind? The top, the best, the pinnacle?
For me, as an artist, that is exactly what Zenith has been! In 1977, I graduated from the University of Georgia with my Bachelors in Fine Arts in Sculpture. It was a great education but to say that I was a bit in culture shock, living in Athens, GA for four years, is an understatement. As an artist, with an artists way of thinking & being, I always felt different, thought differently and growing up, was always made to feel a little weirder than the rest. When I was about to graduate, my two girlfriends and I were sitting around talking about what comes next. I actually said to them that I wanted to come back to DC to become an apprentice to a female wood sculptor & furniture designer. Well lo and behold, after lasting a month as the hostess for the omelet room at Clydes of Georgetown, I met Liz, the Sous chef, who told me that, that was exactly what she did. She told me that I just had to meet the boss of her other job, Margery Goldberg. Little did I know at that moment, that Margery Goldberg would not only become my boss, but would also become my teacher, my mentor, my best friend and sister. In the four and a half years that I was Margery’s apprentice, I learned how to work hard and long to produce and succeed. I learned how to use every piece of machinery, electric and handheld in a wood shop. I learned how to laminate and make wood sculptures and furniture that were perfectly polished to a sheen. I learned the names of every exotic African & American wood and what it takes to carry and re-carry a barn load of that wood. I also learned how to build a gallery, run a gallery, hang and sell art. Most importantly, I learned what it takes to create and build a strong, compassionate community of artists! Zenith in the early days was a lot like a “Field of Dreams”. Build it and they will come. Come they did! Painters, sculptors, wood & metal workers, jewelers, photographers, print makers, potters, writers and musicians. In the very beginning, Margery had her two-story shop in the carriage house, Liz Lehrman was there with her dancers, prior to creating The Dance Exchange and Joy Zinoman was there with her actors, prior to creating Studio Theater. Above Margery’s studio, with studios of their own were artists, Geoffrey Carter, Carol Dyer, Suzanne Codi, Dennis Story, Margery Berringer and Carol McKelvey. When Margery & Michael Kline decided to build the Zenith Gallery, they brought in the design talents of Terry Lewis and Bradley Sanders. The beautiful two story Zenith Gallery was right next to Margery’s wood shop. Life was very busy. We could be covered in wood dust from head to toe and an hour later be dressed and ready for an opening. Zenith evolved. Liz & Joy moved on to create their own artistic empires and after a days work, we artists would gravitate to Geoffrey’s studio and start dreaming, thinking and planning about the other carriage house and the four vacant townhouses on Rhode Island Ave. also owned by our landlord and patron, Stuart Bloch. Stuart was the best kind of landlord! An art collector who bartered! After a number of “mezcal moments” (and a fight for the worm), we decided that it would be amazingly cool to renovate the townhouses and turn those into studios as well. Zenith Square was born! Four town houses and two carriage houses filled with studios. It was an artists dream. To surround your self with artists, 24 hours a day was the best and we knew it and appreciated it! If you ever had a technical or design question, you had wise advise, great resources and help wherever you looked. Together, we became best friends, fabulous artists and a visionary tribal family of sorts. Incredible cutting edge art, Amazing parties, Fabulous food, Renaissance fairs, Wearable art shows, Fantastic friendships and Magical moments that will be remembered for a lifetime. None of it would have been possible without Margery Goldberg!
She has been a phenomenal leader for hundreds of artists. Her will, her mind and her heart have helped launch hundreds of careers. I personally don’t know what I would have done without her. I owe so much to her. She is an Artist’s, artist and a one of a kind person. Thank you Margery for being you and for taking us along for the ride! We love You!
Just one story, that represents the kind of magic that we experienced living and working at Zenith square. One spring evening after a brief thunderstorm, a bunch of us went out onto the adjoining roof of 1445 & 1447 R.I. Ave. There was a gorgeous sunset,
a huge full moon and a magnificent rainbow in the sky, all at the same time. In true Zenithian fashion, we played “Tubular Bells’ loudly and howled like wolves!
In moving the Zenith Gallery to 7th & D, we extended a wonderful world of art for a total of 31 amazing years. This location may be going away but Zenith and all it stands for will never go away. It will just transform into a new form, in the same way that artists transform their art and in the same way that art transforms our world!
Carol Newmyer
1978-1985
“Zenith” What does the word Zenith bring to mind? The top, the best, the pinnacle?
For me, as an artist, that is exactly what Zenith has been! In 1977, I graduated from the University of Georgia with my Bachelors in Fine Arts in Sculpture. It was a great education but to say that I was a bit in culture shock, living in Athens, GA for four years, is an understatement. As an artist, with an artists way of thinking & being, I always felt different, thought differently and growing up, was always made to feel a little weirder than the rest. When I was about to graduate, my two girlfriends and I were sitting around talking about what comes next. I actually said to them that I wanted to come back to DC to become an apprentice to a female wood sculptor & furniture designer. Well lo and behold, after lasting a month as the hostess for the omelet room at Clydes of Georgetown, I met Liz, the Sous chef, who told me that, that was exactly what she did. She told me that I just had to meet the boss of her other job, Margery Goldberg. Little did I know at that moment, that Margery Goldberg would not only become my boss, but would also become my teacher, my mentor, my best friend and sister. In the four and a half years that I was Margery’s apprentice, I learned how to work hard and long to produce and succeed. I learned how to use every piece of machinery, electric and handheld in a wood shop. I learned how to laminate and make wood sculptures and furniture that were perfectly polished to a sheen. I learned the names of every exotic African & American wood and what it takes to carry and re-carry a barn load of that wood. I also learned how to build a gallery, run a gallery, hang and sell art. Most importantly, I learned what it takes to create and build a strong, compassionate community of artists! Zenith in the early days was a lot like a “Field of Dreams”. Build it and they will come. Come they did! Painters, sculptors, wood & metal workers, jewelers, photographers, print makers, potters, writers and musicians. In the very beginning, Margery had her two-story shop in the carriage house, Liz Lehrman was there with her dancers, prior to creating The Dance Exchange and Joy Zinoman was there with her actors, prior to creating Studio Theater. Above Margery’s studio, with studios of their own were artists, Geoffrey Carter, Carol Dyer, Suzanne Codi, Dennis Story, Margery Berringer and Carol McKelvey. When Margery & Michael Kline decided to build the Zenith Gallery, they brought in the design talents of Terry Lewis and Bradley Sanders. The beautiful two story Zenith Gallery was right next to Margery’s wood shop. Life was very busy. We could be covered in wood dust from head to toe and an hour later be dressed and ready for an opening. Zenith evolved. Liz & Joy moved on to create their own artistic empires and after a days work, we artists would gravitate to Geoffrey’s studio and start dreaming, thinking and planning about the other carriage house and the four vacant townhouses on Rhode Island Ave. also owned by our landlord and patron, Stuart Bloch. Stuart was the best kind of landlord! An art collector who bartered! After a number of “mezcal moments” (and a fight for the worm), we decided that it would be amazingly cool to renovate the townhouses and turn those into studios as well. Zenith Square was born! Four town houses and two carriage houses filled with studios. It was an artists dream. To surround your self with artists, 24 hours a day was the best and we knew it and appreciated it! If you ever had a technical or design question, you had wise advise, great resources and help wherever you looked. Together, we became best friends, fabulous artists and a visionary tribal family of sorts. Incredible cutting edge art, Amazing parties, Fabulous food, Renaissance fairs, Wearable art shows, Fantastic friendships and Magical moments that will be remembered for a lifetime. None of it would have been possible without Margery Goldberg!
She has been a phenomenal leader for hundreds of artists. Her will, her mind and her heart have helped launch hundreds of careers. I personally don’t know what I would have done without her. I owe so much to her. She is an Artist’s, artist and a one of a kind person. Thank you Margery for being you and for taking us along for the ride! We love You!
Just one story, that represents the kind of magic that we experienced living and working at Zenith square. One spring evening after a brief thunderstorm, a bunch of us went out onto the adjoining roof of 1445 & 1447 R.I. Ave. There was a gorgeous sunset,
a huge full moon and a magnificent rainbow in the sky, all at the same time. In true Zenithian fashion, we played “Tubular Bells’ loudly and howled like wolves!
In moving the Zenith Gallery to 7th & D, we extended a wonderful world of art for a total of 31 amazing years. This location may be going away but Zenith and all it stands for will never go away. It will just transform into a new form, in the same way that artists transform their art and in the same way that art transforms our world!
Carol Newmyer
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